【独学用】海外ドラマで英語学習『メンタリスト シーズン1 第1話』（無料英訳・和訳付）
独学で海外ドラマを英語学習している方におすすめ。
『メンタリスト シーズン1 第1話』の英訳・和訳を無料で提供します。
英語の聞き流しを続けているけど、一向に海外ドラマを字幕なしで理解できる気配もなく、
やり方や成果に疑問を感じていることはないですか？
ストーリーを理解できずに、モヤモヤした気持ちで英語を聞き流して勉強している方向けです。
言葉の意味をクリアにした上で、きちんと英語をマスターしたい。
英訳、和訳が手元にあることで、いつでもどこでも自分のペースで繰り返し復習ができます。
無料でPDFをダウンロードできます。
きちんとストーリーや言葉の意味を理解した上で、
自分のペースでシャドウイングしながら繰り返し復習をしてみてください。
あらすじ
第1話 レッド・ジョンの影
連続殺人犯によるものとされている二者殺人だが、
CBI顧問で元「霊能者」のパトリック・ジョーンはそれが模倣事件だと考える。
第1話 英訳・和訳
| (sirens wailing in distance) | “失そう者” |
| EXCUSE ME. CAN I GET A COMMENT, PLEASE? | 事件の詳細は？ |
| YES, MA’AM, KEEP IT RIGHT BACK HERE. | 下がってください |
| CAPTAIN. AGENT LISBON. | 警部 州捜査局が何の用です |
| DON’T THINK WE’LL BE NEEDING YOU GUYS. | 州捜査局が何の用です |
| WE LIKE THE NEIGHBOR KID WHO FOUND THE BODY. | 容疑者は近所の少年だ 自白を？ |
| DID HE CONFESS? AH, HE’S A REAL SQUIRREL. | まだ支離滅裂で… |
| DID YOU KILL HER? (woman) DID YOU KILL HER? | 君が殺したのか |
| (man) MERCY’S FATHER WOULD LIKE TO GIVE A BRIEF STATEMENT. | 被害者の父親から 話があります |
| I JUST WANT TO TAKE A MOMENT AND THANK | 被害者の父親から 話があります 娘を捜してくださった 警察そして市民の皆さん |
| EVERYONE IN LAW ENFORCEMENT AND ALL THE VOLUNTEERS | 娘を捜してくださった 警察そして市民の皆さん |
| WHO HELPED US IN THE SEARCH FOR OUR BELOVED DAUGHTER. | ご協力に感謝します |
| THE WAY THAT THIS ENTIRE COMMUNITY HAS COME TOGETHER TO SUPPORT ME AND JUNIPER | 地域の皆さんの 温かい力添えが― |
| IN THIS TERRIBLE TIME HAS BEEN A GREAT COMFORT TO US. | 私たち夫婦にとって 何よりの慰めでした |
| AND NOW I WOULD JUST LIKE TO ASK YOU THAT… | 今後はどうか― |
| YOU GIVE US SOME TIME, SPACE AND PRIVACY TO GRIEVE FOR OUR DAUGHTER. | 娘を失った私たちを そっと見守ってください |
| THANK YOU. | ありがとう |
| HELLO, MRS. TOLLIVER. | どうも |
| WHO ARE YOU? | どなた？ |
| MY NAME IS PATRICK JANE. | パトリック･ジェーン |
| I’M HERE TO HELP YOU. | 力になります |
| WOULD YOU LIKE A CUP OF TEA? | お茶はどう？ |
| YES, I WOULD, THANK YOU. | ええ 頂くわ |
| YOU MUST BE TIRED. | 大丈夫？ |
| WHY DON’T YOU SIT DOWN? | 座って |
| IT’S NICE AND QUIET IN HERE, ISN’T IT? | 家の中は静かだ |
| QUIET, SOOTHING, CALM. | 心が落ち着きますよ |
| CALM. (sighs) | ほら |
| I’VE BEEN WATCHING YOU AND YOUR HUSBAND, | 分かっています |
| AND I WANT YOU TO KNOW THAT I UNDERSTAND WHAT YOU’RE FEELING RIGHT NOW. | ご主人に わだかまりがある |
| YOU HAVE NO IDEA. | 分かるはずないわ |
| BELIEVE ME. | 絶対にね |
| I DO. I KNOW. | いいえ 分かるんです |
| I KNOW, AND I WANNA HELP YOU. | 力になります |
| YOU CAN’T HELP ME. | 無理よ |
| YOU… WHAT DO YOU KNOW? | 何が分かるの |
| (chuckles) ALL SORTS OF THINGS. | あらゆることが |
| YOU REALLY ONLY PRETEND TO LIKE SKIING, RIGHT? | 実はスキーが嫌いですね |
| YES, BUT– YOU’RE PLEASED THAT YOUR BEST FRIEND | でも… 親友が最近 太ってきて うれしく思ってる |
| RECENTLY GAINED SOME WEIGHT– ABOUT 10 POUNDS. | 親友が最近 太ってきて うれしく思ってる |
| YOU WISH YOU’D BEEN MORE ADVENTUROUS | 若いころの心残りがある |
| WHEN YOU WERE YOUNGER. YOU LOVE INDIA, BUT YOU’VE NEVER BEEN THERE. | インド旅行の夢が かなっていない |
| YOU HAVE TROUBLE SLEEPING. YOUR FAVORITE COLOR… | 好きな色は― |
| IS BLUE. | 青だ |
| I DON’T UNDERSTAND. YOU’RE… YOU’RE PSYCHIC? | なぜ分かるの もしかして霊能者？ |
| (chuckles) NO. | まさか |
| JUST PAYING ATTENTION. | 観察ですよ |
| I USED TO MAKE A GOOD LIVING PRETENDING TO BE A PSYCHIC. | 以前はエセ霊能者でしたがね |
| I TELL YOU THIS BECAUSE I WANT YOU TO UNDERSTAND THERE’S NO POINT HIDING THINGS FROM ME. | とにかく私に隠し事をしても 意味がないんです |
| HIDING… WHAT? | 何を隠すの |
| KNOW WHAT I SEE WHEN I LOOK AT YOUR HUSBAND? | ご主人のことです |
| I SEE A WARM, LOVING, GENEROUS MAN. | 愛情深くて 思いやりのある男性だ |
| A LITTLE VAIN, MAYBE. SELFISH, CONTROLLING– BUT A DECENT MAN. | やや虚栄心が強くて わがままだが礼儀正しい |
| YES. | 当たりよ |
| SO WHY DO YOU SUSPECT HIM OF MURDERING YOUR DAUGHTER? | では なぜ犯人だと？ |
| I DON’T. | 犯人？ |
| THE McCLUSKEY BOY DID IT. | あの子でしょ？ それは警察の見解だ |
| YES. THAT’S WHAT THE POLICE SAY. | それは警察の見解だ |
| BUT YOU THINK THEY’RE WRONG. WHY? | あなたの意見は違う なぜです |
| I DON’T KNOW. I-I-I DON’T KNOW. I… | 分からないわ ただ私は… |
| TELL ME. | 続けて |
| LAST YEAR, THEY–THEY HAVE BEEN SO STRANGE WITH EACH OTHER. | 去年から２人の様子が おかしくなったの |
| AND NEITHER ONE WOULD ADMIT THAT ANYTHING WAS WRONG, | ２人とも 認めなかったけれど― |
| I THINK THAT SHE TRIED TO TELL ME ONCE, AND I DIDN’T–I… | 娘は何か話したそうだった |
| GOD. | でも見ぬふりを |
| OH, GOD. | 私のせいよ |
| DID YOU ASK HIM IF HE KILLED HER? | ご主人に尋ねた？ |
| WHAT WOULD HE SAY? | 真実を話すと？ |
| MOST WIVES CAN TELL WHEN THEIR HUSBANDS ARE LYING. | 妻は夫のウソを見抜く |
| YES. YES. I… | ええ そうね でも きっと あの少年が犯人よ |
| (slides teacup) I DON’T WANT TEA. I– THE McCLUSKEY BOY DID IT. I… | でも きっと あの少年が犯人よ |
| MAYBE. | そうかな |
| (normal voice) YOU THINK HE DID IT, TOO? | 主人が殺したと？ |
| I TRUST A MOTHER’S INSTINCT. | 母親の勘は正しい |
| JUNE? | ジュン？ |
| THERE YOU ARE. | 捜したぞ |
| HI. WHO ARE YOU? | お客さんか？ |
| I’M THE POLICE. DID YOU KILL YOUR DAUGHTER? | 警察の者です あなたが犯人？ |
| HOW DARE YOU? | 何だって？ |
| I ASKED YOU A SIMPLE QUESTION, SIR. DID YOU KILL YOUR DAUGHTER? | 簡単な質問です 娘を殺しましたか |
| NO. OH! | バカな 殺すわけがない |
| I DID NOT KILL MY DAUGHTER! (whimpers) | バカな 殺すわけがない 分かったら出ていけ |
| NOW YOU GET THE HELL OUT OF MY HOUSE! | 分かったら出ていけ |
| JUNE? JUNE, WHAT’S THE MATTER WITH YOU? | ジュン？ どうした |
| I’M GONNA HAVE YOUR BADGE. | 訴えてやる |
| AN INNOCENT MAN WOULD HAVE PUNCHED ME BY NOW. | 無実なら殴ったはずだ |
| I AM GONNA MAKE LIFE MISERABLE FOR YOU. | 覚悟しておけ |
| YOU COME IN HERE, YOU ACCOST MY WIFE, YOU CAUSE TROUBLE ON– (cocks pistol) | 突然やってきて 妻に近づき私の家庭を… |
| JUNE. | ジュン |
| JUNE, HONEY, PLEASE. | やめろ |
| (officers shouting indistinctly) | 急げ 家の中だ 動くな |
| HONESTLY, IT–IT’S NOT AS BAD AS IT LOOKS. | ある意味 自業自得だ |
| MRS. TOLLIVER? | トリヴァーさん |
| MRS. TOLLIVER! PLEASE WAIT. | 待ってください |
| THEN THE SON OF A BITCH EAGLES 17. | 17番でイーグルだとさ |
| ARE YOU KIDDIN’ ME? ON THAT COURSE? | あの難コースでイーグル？ |
| A DAMN EAGLE? | ウソだろ |
| THAT COURSE NEVER SUITED YOU, PRICE. | 兄さんは あのコースと 相性が悪い |
| WE’LL DO BETTER IN ORLANDO. WE HAVE A NICE SPOT ON THE DRAW. | 兄さんは あのコースと 相性が悪い だが次はいける 約束しよう |
| WELL, I’LL TELL YOU WHAT. | 約束しよう 今回の借りは必ず返す |
| DAVIS LOVE III CAN KISS MY BUTT. | 今回の借りは必ず返す |
| (man) ALISON? | アリソン？ |
| ALISON! | アリソン！ |
| (tires screech) | パームスプリングス 国際空港 |
| UH, SORRY. | 待って |
| YOU CHECKED LUGGAGE? | まさか 手荷物があるの？ |
| WHAT ARE YOU, ON VACATION? NO, MA’AM. WON’T DO IT AGAIN. | まさか 手荷物があるの？ すみません |
| WHEN YOUR TROUSSEAU ARRIVES, PICK UP THE SECOND RENTAL | 大切な荷物を取ったら 直接 署へ行って― |
| AND GO DIRECT TO THE SHERIFF’S DEPARTMENT, | 大切な荷物を取ったら 直接 署へ行って― 捜査本部を 設営するように |
| HUSTLE US UP A COUPLE OF ROOMS, FURNITURE AND PHONE LINES. YES. MA’AM. | 捜査本部を 設営するように はい |
| COME ON. LET’S GO. | 行くわよ |
| MORNING, EVERYBODY. HOW WAS YOUR FLIGHT? | おはよう いい旅だったかい |
| GO AWAY. YOU’RE ON SUSPENSION. | 停職中でしょ？ |
| MANDATED LEAVE. ENDS NEXT WEEK. | 今週いっぱいね |
| SO COME BACK NEXT WEEK. | では来週 |
| HOT ENOUGH FOR YOU? WHICH ONE OF YOU JACKASSES TOLD HIM? | 暑いな あなたが話したのね チョウ捜査官 |
| IT WAS YOU, WASN’T IT, CHO? YES, IT WAS. | あなたが話したのね チョウ捜査官 |
| OF COURSE HE CALLED ME. IT’S RED JOHN. | レッド･ジョンの 事件なんだろ |
| YOU CAN’T KEEP ME OUT OF THIS. WHY WOULD YOU WANT TO? YOU GOT A MAN KILLED. THERE’S CONSEQUENCES. | なぜ降ろす 人の死を招いたのよ |
| OH, A MAN THAT MURDERED HIS DAUGHTER ‘CAUSE SHE WOULDN’T HAVE SEX WITH HIM ANYMORE? | 関係を拒んだ娘を 殺した男だぞ |
| YOU DIDN’T KNOW THAT. YOU DID NOT KNOW THAT. | 日記がなければ どうなったか |
| IF SHE HADN’T HAD LEFT A DIARY– BUT SHE DID, THOUGH. | 日記がなければ どうなったか だが あった これは僕の事件だ |
| BE REASONABLE. THIS IS MY CASE. YOUR CASE? | これは僕の事件だ なぜ？ |
| RED JOHN’S MINE. RED JOHN DOESN’T BELONG TO ANYONE. | レッド･ジョンだから 誰の事件でもないわ |
| HE BELONGS TO ME. | 分かるだろ |
| IT’S NOT MY CALL. RULES ARE RULES. COME BACK NEXT WEEK. | 残念だけど規則よ 来週 出直して |
| DON’T LET THIS MAN PAST. | 彼を入れないで |
| BOSS? | ボス？ |
| WE HAVE GREGORY TANNEN– CAUCASIAN, MALE, 43, SINGLE. | 男性はグレゴリー･タネン 白人の43歳 独身 |
| WE HAVEN’T OPENED HIM UP YET, BUT BURN MARKS… | 解剖はまだよ |
| SORRY I WENT OVER YOUR HEAD. I’LL REDEEM MYSELF, I PROMISE. | 直訴したんだ 必ず役に立つよ |
| YOU WANT REDEMPTION? BE SILENT. | 必ず役に立つよ それなら黙って 分かった |
| OKAY. I CAN LEARN TO DO THAT. SHH! | 静かに |
| SORRY. | 失礼 |
| THE BURN MARKS HERE INDICATE THAT THE VICTIM WAS SUBDUED WITH A STUN GUN– STANDARD CIVILIAN MODEL BY THE LOOK OF IT. | やけどの痕跡から見て スタンガンで襲われたようね |
| DEATH APPEARS TO BE CAUSED BY SEVERAL BLOWS TO THE BACK OF THE SKULL | ゴルフクラブで後頭部を 殴られたのが死因でしょう |
| CONSISTENT WITH A BLOODIED GOLF CLUB FOUND AT THE SCENE. | ゴルフクラブで後頭部を 殴られたのが死因でしょう 女性はアリソン･ランドルフ |
| FEMALE IS ALISON RANDOLPH– | 女性はアリソン･ランドルフ |
| 27, MARRIED, NO CHILDREN. | 27歳で既婚 出産歴はなし |
| THEY WERE FOUND AT HER LISTED RESIDENCE. | 死亡推定時刻は 恐らく土曜の夕刻 |
| T.O.D. LOOKS TO BE EARLY SATURDAY EVENING. | 死亡推定時刻は 恐らく土曜の夕刻 同じスタンガンの跡がある |
| ON ALISON, WE HAVE THE SAME STUN GUN MARKS, | 同じスタンガンの跡がある |
| FOLLOWED BY BINDING WITH TIGHT BLACK PLASTIC LIGATURES, | 黒いひもで縛られた後― |
| FRENZIED CUTTING AND STABBING ASSAULT OF THE TORSO | 内臓に達するほど めった刺しにされた |
| AND SUBSEQUENT ABUSE OF THE VISCERA. TEXTBOOK RED JOHN. | 内臓に達するほど めった刺しにされた レッド･ジョンだ |
| WHO FOUND THE BODIES? THIS ONE’S HUSBAND, | 発見者は？ 翌朝に帰宅した夫です プロゴルファーですよ |
| COMING HOME FROM THE AIRPORT SUNDAY MORNING WITH HIS BROTHER. | 翌朝に帰宅した夫です プロゴルファーですよ |
| HE’S A PRO GOLFER. OH, YEAH? | 名前はプライス |
| PRICE RANDOLPH. WHAT’S HER DEAL WITH HIM? DO WE KNOW? | 被害男性は？ |
| UH, HE’S ON FILE AS ONE OF HER PHYSICIANS. | 彼女の主治医です |
| MAKING A HOUSE CALL? LOVERS? | 往診中？ 愛人かも |
| NO, THIS ONE’S GAY. | 違う 彼はゲイだ |
| DR. WAGNER MIGHT KNOW WHAT THEIR RELATIONSHIP WAS. | ワグナー医師が知ってる |
| HE’S HERE TO MAKE THE FORMAL I.D.? | 今 来てるわ |
| DR. WAGNER. | ワグナー先生 |
| HI. I’M AGENT TERESA LISBON, CALIFORNIA BUREAU OF INVESTIGATION. | カリフォルニア州捜査局の リズボンです |
| WHAT’S YOUR CONNECTION TO THE VICTIMS? I WORK WITH GREGORY… | ご関係は？ グレゴリーは同僚で― |
| DR. TANNEN AND–AND THE RANDOLPH FAMILY | グレゴリーは同僚で― ランドルフ家は 我々の患者だ |
| ARE LONGTIME CLIENTS OF OUR PRACTICE. ARE HOUSE CALLS THE NORM AT YOUR PRACTICE? | ランドルフ家は 我々の患者だ 日常的に往診を？ |
| NO. GREGORY AND ALISON WERE CLOSE FRIENDS. | いや ２人は親しかったんだ |
| LOVERS? NO. HE WAS GAY. | 愛人？ 彼はゲイだ |
| NO, THEY WERE JUST… FRIENDS. | ただの友人同士だよ |
| WHAT IN GOD’S NAME HAPPENED TO THEM? LOOKS LIKE RED JOHN. | 誰がこんなことを？ レッド･ジョン |
| WHO’S RED JOHN? WE DON’T KNOW WHO DID THIS. | 何者だ 容疑者は不明です |
| WE’LL BE IN TOUCH PROBABLY. THANK YOU. | ご協力に感謝します |
| RED JOHN ENTERS HERE. | ジョンは扉を開けると… |
| EXCUSE ME. SORRY. | 失礼 |
| HE COMES AROUND HERE. | 室内に侵入 |
| HE WAITS FOR HER, EXPECTING HER TO COME IN ALONE. | 彼女が帰宅するのを 待ち伏せていた |
| ONLY THING, HER FRIEND TANNEN CHOSE THE WRONG NIGHT TO COME OVER FOR A RICHARD GERE AND ICE CREAM ORGY. | ところが思いがけずタネンが 一緒だったわけだ |
| SO RED JOHN ZAPS ‘EM BOTH WITH HIS TRUSTY STUN GUN, AND… | そこでジョンは スタンガンで２人を襲い― |
| (sighs) EXCUSE ME. | 失礼 |
| GRABS A 5-IRON FROM THE BAG HERE AND… | アイアンを取り出して… |
| CRUSHES TANNEN’S SKULL. | 頭を一撃 |
| THEN HE TAKES HIS SWEET TIME | あとはアリソンを いたぶるだけだ |
| DEALING WITH ALISON HOW HE LIKES. | あとはアリソンを いたぶるだけだ 彼女は大柄だから 腕をつかみ― |
| SHE’S A NICE BIG GIRL, SO UNLESS HE’S PRETTY STRONG, | 彼女は大柄だから 腕をつかみ― |
| I’M GUESSING THAT HE GRABBED HER BY THE ARMS AND… | 廊下を引きずったんだろう |
| HE SAYS HE’S SORRY FOR ALL THE PAIN | お父さんは家族に 悪いことをしたと― |
| HE’S CAUSED YOU AND YOUR MOTHER. | お父さんは家族に 悪いことをしたと― ５年前 |
| DEEPLY SORRY. | ５年前 謝っています |
| (woman sniffles) | ５年前 |
| HE ASKS YOU TO FORGIVE HIM. | ５年前 悔やんでいると 悔やんでいると |
| CAN YOU DO THAT, JENNY? | 許しますか？ |
| HE NEEDS TO HEAR IT. I FORGIVE YOU, DADDY. | 声に出して 許すわ |
| OH, YES. DADDY, I FORGIVE YOU. (cries) | もちろんよ パパ |
| HE’S SMILING NOW. | ほほ笑んでいる |
| THEY’RE TEARS OF JOY. (cries) | 涙を流して |
| HE SAYS, “GOD BLESS YOU AND KEEP YOU.” | 幸せを祈っていますよ |
| HE’S GONE. | 去られた |
| AMAZING. AMAZING. AMAZING. | 驚きました すばらしいわ |
| SHE’S… AMAZED. (laughter) | 言葉がない |
| PATRICK… | パトリック |
| GIVE HIM SOME TIME. AB-ABSOLU– | 待って もちろん ゆっくりどうぞ |
| COME ON BACK TO US. | もちろん ゆっくりどうぞ |
| I’M BACK. THANK YOU. (woman) BACK. (laughs) | どうも 戻ったわ |
| SO, PATRICK, I UNDERSTAND THAT YOU’RE ALSO | パトリック 聞くところによれば― |
| SORT OF A PARANORMAL DETECTIVE. | 警察にも協力しているとか？ |
| IS THAT RIGHT? I TRY TO HELP THE POLICE WHEN I CAN. | 警察にも協力しているとか？ できる範囲で |
| AND–AND YOU’RE HELPING THEM HUNT THIS SCARY SERIAL KILLER. | では例の 連続殺人犯の捜査も？ |
| WHAT–WHAT’S HIS NAME? | 犯人は確か… |
| RED–RED JOHN. RED JOHN? | レッド･ジョン その証拠に スマイル･マークがある |
| (man) THAR SHE BLOWS– CLASSIC RED JOHN SMILEY FACE. | その証拠に スマイル･マークがある |
| DRAWN IN THE VICTIMS’ BLOOD, | 被害者の血液を使い― |
| CLOCKWISE WITH THREE FINGERS OF HIS RIGHT HAND, | 右手の指３本で 時計回りに円を描く |
| WEARING A RUBBER KITCHEN GLOVE. | ゴム手袋をはめてね |
| I’M STOKED TO FINALLY SEE ONE IN THE FLESH. | やっと実物を見られた |
| THIS ISN’T RED JOHN. | ヤツじゃない |
| RIGHT. RED JOHN THINKS OF HIMSELF AS A SHOWMAN, AN ARTIST. | なぜかな ヤツは演出に凝る男だ 現場をショーに見立てる |
| HE HAS A STRONG SENSE OF THEATER. | ヤツは演出に凝る男だ 現場をショーに見立てる |
| IN ALL THE PREVIOUS KILLINGS, HE MADE SURE THAT THE FIRST THING THAT ANYONE SEES IS THE FACE ON THE WALL. | だから発見者が まず壁の絵を見るようにする |
| YOU SEE THE FACE FIRST, AND YOU KNOW– YOU KNOW WHAT’S HAPPENED, AND YOU FEEL DREAD. | そして事件を想像させて 恐怖をかきたて― |
| THEN AND ONLY THEN DO YOU SEE THE BODY OF THE VICTIM– | 最後に死体を見せる |
| ALWAYS IN THAT ORDER. | パターンだよ |
| HERE IT’S THE OPPOSITE. THE FIRST THING YOU SEE IS THE BODY, | だが この現場では まず目に入るのは死体だ |
| AND YOU HAVE TO LOOK AROUND TO SEE THE FACE ON THE WALL. | 振り返って初めて 絵が見える |
| DOESN’T PLAY NEARLY AS WELL, DOES IT? | 劇的じゃない |
| (sighs) DEPENDS ON YOUR TASTE, I SUPPOSE. NO, COME ON. | 見方によるわ 正面の壁にだって 顔は描けた |
| THE KILLER COULD HAVE PAINTED ON THE CORRECT WALL HERE, | 正面の壁にだって 顔は描けた |
| BUT HE DIDN’T BECAUSE HE DIDN’T KNOW BETTER BECAUSE HE ISN’T RED JOHN. | そうしなかったのは 偽者だからだ |
| WOW. IT’S INTERESTING. | 言えてるよ |
| YOU KNOW WHAT YOUR PROBLEM IS, MY FRIEND? | 忠告しよう |
| YOU ENJOY YOUR WORK A LITTLE TOO MUCH. YOU’RE A GHOUL. | 君は仕事を楽しみすぎだ |
| IF YOU DON’T GET HORNY READING “FANGORIA,” | よほど冷酷なんだろう |
| I’M BRITNEY SPEARS. I-I RESENT THAT. | 失礼なヤツだ |
| THIS IS YOU TRYING TO REDEEM YOURSELF, IS IT? | これが協力？ 悪かった |
| I’M SORRY. HE IRKS ME. | あまりに不快で |
| HE’S IRKSOME. | 嫌みな男だ |
| YOU DON’T NEED ME HERE. | もう帰るよ |
| SO, YEAH, THIS ONE DOESN’T FIT THE PATTERN. | 確かにパターンとは違う |
| SO JANE WAS RIGHT. WE HAVE A COPYCAT. | 模倣犯だと？ |
| OR WE HAVE RED JOHN TRYING NEW THINGS, OR WE HAVE RED JOHN MAKING A MISTAKE. | レッド･ジョンが 間違えた可能性もある |
| WE DON’T KNOW. WE’LL WORK THE EVIDENCE UNTIL WE DO KNOW. | まだ分からないわ |
| GO TALK TO THE HUSBAND. WILL DO, BOSS. | 遺族とは？ 話します |
| WHAT ARE YOU WAITIN’ FOR? | 早く行って |
| HEY. SO YOU MIGHT BE RIGHT ABOUT THIS CASE. MIGHT BE. | 考えたの あなたの見解は正しいかも |
| THANKS FOR THE INSIGHT. | 意見をありがとう |
| NO. DID I SAY THAT? | そうは言ってない |
| I’M ACKNOWLEDGING THE FACT THAT YOU MIGHT BE RIGHT, THAT’S ALL. | 正しい可能性があると 認めただけ |
| I MEAN, IF YOU WANTED TO COME BACK, | 協力したいなら止めないわ |
| YEAH, FINE. I’M ASKING YOU TO COME BACK. | そうね 協力してほしい |
| BECAUSE. BECAUSE YOU’RE USEFUL TO THE TEAM. | 捜査の役に立つ人材だからよ |
| NO. NO, I WON’T SAY “PLEASE.” GO SCREW YOURSELF. | それは無理 勝手にして |
| (under breath) JACKASS. | ムカつく男 |
| (Jane) GOOD MORNING. | おはよう |
| CAN I HELP YOU? | 何か？ |
| YOU MUST BE VAN PELT. | ヴァンペルト？ |
| PLEASURE. PATRICK JANE. | パトリック･ジェーンだ |
| OH, HI. GOOD TO MEET YOU. | よろしく 街を出たと聞きましたが |
| AGENT CHO SAID YOU HAD LEFT TOWN. NO. NOWHERE TO GO. | よろしく 街を出たと聞きましたが 冗談だろ |
| OKAY. UM… DO YOU WANT THAT DESK OVER THERE OR THIS ONE? | それじゃ窓際か 手前の机を使って |
| I MEAN, THAT ONE GETS MORE LIGHT. | 手前は暗いけど 明るいほうを借りよう |
| THAT ONE. MORE LIGHT BY ALL MEANS. (chuckles) | 明るいほうを借りよう |
| VERY PLEASANT ADDITION TO THE SERIOUS CRIMES FAMILY. | かわいい新人が入ったね |
| OH. HI. WHEN DID YOU GET HERE? | あら 来てたの？ |
| OH! (Price growls) STOP. I GIVE UP. OOH! STOP. PLEASE, STOP. | やめて 降参よ |
| (Price) HEY, TAG? (Alison) TURN OFF THE CAMERA. | もう終わり 早くカメラを止めて |
| COME ON, COME ON, COME ON, THAT’S ENOUGH. OKAY, WE’RE DONE, WE’RE DONE. | 早くカメラを止めて |
| YOU ARE JUST AWFUL! | ひどいわ |
| (laughs) STOP, PLEASE. STOP! | お願い 止めて |
| I LOST A BEAUTIFUL, PRECIOUS ANGEL. | 妻は僕の天使だった |
| YES, SIR. GOOD-LOOKING WOMAN. | 本当にお美しい |
| (clears throat) I’M JUMPING RIGHT IN IF YOU DON’T MIND, PRICE. | 少し伺っても？ |
| YOU MISSED THE TOURNAMENT CUT ON FRIDAY, YES? | 金曜の試合は欠場 |
| (scoffs) BUT YOU DIDN’T COME HOME UNTIL SUNDAY. | だが帰宅は日曜だ どちらに？ |
| WHAT DID YOU DO WITH THE REST OF YOUR TIME IN FRESNO? I GET THIS. | だが帰宅は日曜だ どちらに？ 連続殺人犯の線が消えたら 僕が容疑者か |
| YOU–YOU GUYS CAN’T CATCH THE REAL KILLER, | 連続殺人犯の線が消えたら 僕が容疑者か |
| SO YOU WANNA LAY THIS ONE ON ME? NO, SIR. | 連続殺人犯の線が消えたら 僕が容疑者か アリバイがあれば これ以上 煩わせません |
| IF WE HAVE THAT CONFIRMATION OF WHERE YOU WERE, IT LETS US EXCLUDE YOU FROM THE INVESTIGATION. | アリバイがあれば これ以上 煩わせません |
| (chuckles) I WAS WITH A MASSAGE THERAPIST. | マッサージ店にいた |
| NAME? | 名前は？ |
| UH… IT HAD “LADY” IN THERE SOMEWHERE. | 何とかレディーと いったはずだ |
| IT’LL BE ON HIS CREDIT CARD BILL. | カードの控えを |
| THERE YOU GO. PLEASURE MEETING YOU BOYS. | そうだな 財布を持ってくる |
| (Wagner) WE’RE A FULL-SERVICE PRIVATE PRACTICE. | 総合的な診療施設と言える |
| WE DELIVER PRIMARY CARE, | 初期治療に美容整形 |
| UH, COSMETIC SURGERY, | 初期治療に美容整形 時には心理療法も行う |
| PSYCHOTHERAPY, SPORTS MEDICINE– YOU NAME IT. | 時には心理療法も行う |
| WHAT’S THE AFRICAN CONNECTION? | アフリカ好き？ |
| (computer beeping) IT’S WHAT THIS PLACE IS ALL ABOUT. | 利益の半分は― |
| HALF OUR PROFITS GO TO BUILD AND STAFF BASIC HEALTH CLINICS IN POOR AFRICAN COMMUNITIES. | アフリカでの病院建設や 医療活動に使っている |
| AH, HERE WE ARE. | あったぞ |
| IT’S A THIN FILE. | 彼女のデータだ |
| ALISON WAS A HEALTHY YOUNG WOMAN. | 健康そのものだよ |
| PSYCHIATRIC HISTORY? | 精神疾患は？ |
| SHE DIDN’T HAVE ONE. | ないね |
| S.T.D.s? ABORTIONS? | 性行為感染症や 中絶の経験も？ |
| UNEXPLAINED INJURIES? | 性行為感染症や 中絶の経験も？ 性行為感染症や 中絶の経験も？ 「性格と異常性」 |
| (types on keyboard) NO. EXCEPT FOR SOME ROUTINE CHECKUPS WITH ME, | 「性格と異常性」 「性格と異常性」 ない 「性格と異常性」 「性格と異常性」 検診のほかは 審美関係の処置だけだ 検診のほかは 審美関係の処置だけだ |
| IT’S ALL DR. TANNEN– ALL AESTHETIC WORK. DID TANNEN KEEP A DIARY? | 検診のほかは 審美関係の処置だけだ タネンは日記を？ |
| OUR LAST CASE WAS SOLVED BECAUSE THE VICTIM KEPT A DIARY. | 時には捜査の鍵に なるんです |
| DIARY? I DON’T THINK SO. | ないと思うが |
| GETTING BACK TO ALISON RANDOLPH… | 話を戻しましょう |
| HOW WAS HER MARRIAGE, DO YOU THINK? HAPPY? UNHAPPY? | アリソンは 幸せだったと思いますか |
| ABOUT SIX MONTHS AGO, DR. TANNEN ASKED MY ADVICE. | 半年前 タネンに 助言を求められた |
| ALISON HAD ASKED HIM TO GET HER A YEAR’S SUPPLY OF BIRTH CONTROL PILLS | 彼女が内密に避妊薬を 欲しがったらしい |
| OFF THE BOOKS, WHICH IS STRICTLY AGAINST A.M.A. CODE. | 医師のモラルに反するが― |
| I SAID SURE, DO IT. | 渡せと言ったよ |
| I MEAN, BETTER US THAN SOME TIJUANA DRUGSTORE. | 怪しげな薬局で 入手されるよりマシだ |
| WHY THE SECRECY? | なぜ内密に？ |
| PRICE RANDOLPH HAD A VASECTOMY, APRIL OF ’02. | プライスは 精管切除手術を受けてる |
| IF THERE’S ANYTHING ELSE I CAN DO… | いつでも連絡を |
| I APPRECIATE THAT. | 助かります |
| (lowered voice) ACTUALLY, THERE IS. UH… I’M OUT OF SLEEPING PILLS. | 個人的に 睡眠薬をもらえますか |
| CAN YOU FIX ME UP? ANYTHING STRONG WILL DO. | 強いものなら何でもいい |
| SURE. UH, COME IN FOR A CONSULTATION. | 午後にでも 面談を受けに来てくれ |
| WE’LL SQUEEZE YOU IN THIS AFTERNOON. OH, NO. I-I WAS HOPING TO GET SOMETHING NOW. | 午後にでも 面談を受けに来てくれ 今 もらえませんか |
| TRYING TO AVOID THE CHITCHAT. (laughs) | ムダ話抜きで |
| I’M SORRY. I WOULDN’T FEEL COMFORTABLE PRESCRIBING WITHOUT SOME SORT OF “CHITCHAT.” | 悪いが“ムダ話”抜きでは 薬は処方できない |
| I UNDERSTAND. UH, NO PROBLEM. | なるほど |
| I’LL CALL YOU… MAYBE. (elevator bell dings) | 電話します 多分 |
| (Cho) I LIKE THE HUSBAND FOR IT. | 夫が娼婦(しょうふ)を雇って アリバイを作り― |
| HE HIRES SOME HOOKER HE KNOWS TO CREATE AN ALIBI, | 夫が娼婦(しょうふ)を雇って アリバイを作り― 殺しに戻ったんですよ |
| FLIES HOME, FILLETS THE SPOUSE, FLIES BACK AGAIN. | 殺しに戻ったんですよ 巧妙なわりに愚かな計画だ |
| THE CLASSIC ELABORATE AND CLEVER BUT ULTIMATELY STUPID PLAN. | 巧妙なわりに愚かな計画だ |
| HAVE YOU LOOKED AT HIS PGA TOURNAMENT RECORD? | 彼の戦績を？ |
| IT’S NOT BAD. 6 MIL CAREER EARNINGS. MM-HMM, FOR COMING IN SECOND AND THIRD. | 獲得賞金は約600万ドル ２位が多いんだ |
| YOU PUT HIM ON THE 18th TEE WITH A BIG ONE ON THE LINE, | 優勝が目前に迫ると 必ずミスをする |
| LIKE NIGHT FOLLOWS DAY, HE’LL SHANK IT. HE’S A CHOKER. | 優勝が目前に迫ると 必ずミスをする 妻を殺すほどの 度胸はないよ |
| HE DOESN’T HAVE THE NERVE TO KILL HIS WIFE. DIDN’T DO IT. MM. | 妻を殺すほどの 度胸はないよ |
| ARE YOU SUGGESTING WE DROP A PRIME SUSPECT | 戦績だけで 容疑者から外すつもり？ |
| BECAUSE HE’S NEVER WON A MAJOR? OH, NO, NO, NO. | 戦績だけで 容疑者から外すつもり？ 話題を提供しただけさ |
| I’M JUST MAKING IDLE CONVERSATION. | 話題を提供しただけさ |
| HOW’D YOU DO THAT? | タネは？ |
| TELEKINESIS. | 念力だ |
| (scoffs) HE BLEW ON IT. | 息だよ |
| THAT IS ANOTHER WAY TO DO IT. | それも いい手だ |
| MR. JANE, I HAVE A QUESTION REGARDING YOUR PREVIOUS CAREER PATH. | 以前の仕事について 聞いてもいいかしら |
| FIRE AWAY. | 何かな |
| WHEN YOU MET WITH OTHER PSYCHICS– REAL PSYCHICS– | 本物の霊能者に会った時― |
| COULD THEY TELL YOU WERE JUST PRETENDING? | 見破られた？ |
| THERE’S NO SUCH THING AS REAL PSYCHICS. | 本物なんていない |
| I BEG TO DIFFER. MY COUSIN YOLANDA IS A PSYCHIC. | いとこのヨランダは本物よ |
| YOUR COUSIN IS DELUDED OR DISHONEST, | 勘違いかイカサマさ |
| OR BOTH. HEY. STEADY. | 言葉を慎め |
| NO, NO, HE’S ENTITLED TO HIS OPINION. | 構わないわ でもヨランダは違う |
| HE’S WRONG, THOUGH. SHE HAS POWER. THANK YOU. | 構わないわ でもヨランダは違う 彼女は本物 |
| SHE CAN COMMUNICATE WITH THE OTHER SIDE. | 死者と交信するのを見たわ |
| I’VE SEEN HER DO IT MYSELF. SHE LET YOU SPEAK WITH SOMEONE THAT’S GONE. | 死者と交信するのを見たわ 誰かと話をした？ |
| YES. | 君が会いたかった人だろ？ |
| SOMEONE THAT YOU LOVE AND STILL MISS VERY MUCH. YES. | 君が会いたかった人だろ？ そうよ |
| YOU WANTED HER POWER TO BE REAL, SO IT WAS. NO. | 君の思い込みさ 違うわ |
| YOU’RE SO SURE YOU’RE RIGHT. SCIENCE DON’T KNOW EVERYTHING. | この世には謎もある |
| 500 YEARS AGO, RADIO WOULD’VE SEEMED LIKE MAGIC. | 昔ならラジオも魔法よ |
| EXACTLY. 500 YEARS IN THE FUTURE, | 言えてる そのうち誰でも交信するわ |
| IT COULD BE TOTALLY NORMAL TO COMMUNICATE WITH THE OTHER SIDE. THE “OTHER SIDE.” | そのうち誰でも交信するわ 死者と？ |
| YOUR FATHER’S A FOOTBALL COACH, YEAH? | お父さんは監督？ |
| HOW’D YOU KNOW THAT? | アメフトのね |
| IT’S OBVIOUS FROM YOUR WHOLE DEMEANOR. MY POINT IS, DIDN’T DAD ALWAYS SAY LIFE IS LIKE FOOTBALL? | お父さんが言ってたとおり 人生は試合と同じだ |
| WHEN THAT FINAL WHISTLE BLOWS, THE GAME IS OVER. | 笛の音で すべて終了 |
| DONE. THERE IS NO MORE. | それで終わりだ あの世はない |
| THERE IS NO “OTHER SIDE.” THIS IS IT– | それで終わりだ あの世はない ロブスターもパンも 魚介のキッシュも― |
| LOBSTER AND BREAD ROLLS AND NAUTICAL KITSCH. | ロブスターもパンも 魚介のキッシュも― |
| AND THEN… (makes whooshing sound) NOTHINGNESS. | 消えうせる |
| YOU POOR, SAD MAN. | 気の毒な人ね |
| THE KINGDOM OF GOD IS A REAL PLACE. | 天国は存在するわ |
| OKAY, LATER TONIGHT, WHEN RIGSBY ASKS YOU TO COME BACK TO HIS HOTEL ROOM… | 今晩 リグスビーに 部屋に誘われたら― |
| SAY YES. (scoffs) EXCUSE ME? | 行くといい 何の話？ |
| I KNOW. YOU WERE PLANNING ON REFUSING HIM VERY CURTLY. | 拒む気なのは分かってる |
| FIRST WEEK ON THE JOB, YOU WANNA SET A TONE. NO MONKEY BUSINESS. BUT WHY NOT? | まだ新人だ 一線を引きたいんだろう |
| RIGSBY IS AN EXCELLENT LOVER, I’M SURE. (sighs) | だが いい男だ |
| TOUGH BUT FAIR. RIGHT? | 厳しいがフェアだよ |
| RIGHT. | 楽しめよ |
| THE KINGDOM OF GOD IS A REAL PLACE, MR. JANE, | 天国は存在する |
| AND YOU HAVE AN IMMORTAL SOUL. | 不滅の魂も |
| OH, I DO SO HOPE YOU’RE WRONG. | 僕はいらないね |
| GOOD NIGHT. LATER, DUDE. | おやすみ |
| THIS IS… ME. | 着いた |
| WELCOME TO THE UNIT, AGENT VAN PELT. | チームへようこそ ヴァンペルト |
| THANK YOU, AGENT RIGSBY. | よろしく 先輩 |
| (man) SHE EXPLODES INTO ACTION, | 攻撃態勢に入ると― |
| REACHING UP TO 60 MILES PER HOUR. | 時速約100キロに達します |
| SHE EASILY OUTRUNS HER TERRIFYING PREY. | そして難なく獲物に 追いつくのです |
| “GREETINGS, OLD FRIEND. IT’S BEEN A WHILE. | “古き友よ 久しぶりだね” “私は ますます血気盛んだ” |
| “I HOPE YOU ARE KEEPING WELL. I AM THRIVING AND HAPPY. | “私は ますます血気盛んだ” “そろそろ13人目の 物色を始める” |
| “I HAVE 12 WIVES NOW AND WILL SOON BEGIN COURTING NUMBER 13. | “そろそろ13人目の 物色を始める” |
| “WHY CAN’T YOU CATCH ME? | “捕らえろよ” “無力さを 痛感しているかな” |
| “YOU MUST FEEL SO POWERLESS AND STUPID AND SAD. | “無力さを 痛感しているかな” |
| “OH, WELL. | “健闘を祈る” |
| ALL THE BEST. RED JOHN.” | “レッド･ジョン” |
| THAT SOUNDS LIKE THE REAL DEAL TO ME. SOUNDS LIKE RED JOHN. IT’S NOT. | まだ模倣犯だと？ 本人なら危険を冒して メモなど置かない |
| RED JOHN WOULDN’T RISK CAPTURE JUST TO TAUNT ME. SO THE REAL KILLER’S TRYING TO THROW US OFFTRACK? | 本人なら危険を冒して メモなど置かない 偽者が成りすましてる？ |
| CHO, FIND OUT WHERE PRICE RANDOLPH WAS A HALF AN HOUR AGO. | プライスの アリバイを調べて |
| RIGSBY, I WANT YOU TO CHECK THE HOTEL SECURITY CAMERAS. | リグスビーは監視カメラを |
| GET THOSE OVER TO FORENSICS. | メモは鑑識に |
| YOU OKAY? | 大丈夫？ |
| ABSOLUTELY. | もちろん |
| GET SOME SLEEP. | 少し休んで |
| GOOD MORNING. | おはよう |
| YOU DIDN’T SLEEP, DID YOU? | 寝なかったの？ |
| HI. I-I’D LIKE TO MAKE AN APPOINTMENT WITH DR. WAGNER, PLEASE. IT’S URGENT. | 至急 ワグナー医師の 予約をお願い |
| JANE. PATRICK JANE. | パトリック･ジェーンよ |
| YEAH, I’LL HOLD. | 待つわ |
| FORENSICS MAYBE GOT A BREAK. | 朗報だ |
| THE BLOOD ON THE CLOTH IN THE ENVELOPE | 鑑識が封筒内から― |
| IS ALISON RANDOLPH’S. BUT THEY FOUND A HAIR IN THERE– DOESN’T BELONG TO HER OR TANNEN. | 被害者のものとは別の 毛髪を見つけた |
| GUESS WHO IT DOES BELONG TO. | 誰のだと思う？ |
| IT’S YOURS, TAG. AMAZING, HUH? | 君の毛髪だよ タグ |
| SCIENCE. | 科学の力だ |
| THIS IS INSANE. | バカげてる |
| I DIDN’T… | 私は― |
| I DIDN’T KILL ALISON. | 殺していない |
| HOW DO YOU EXPLAIN YOUR HAIR IN THE ENVELOPE? | では なぜ髪が？ |
| EITHER IT WAS A MISTAKE, | 何かの間違いか― |
| OR–OR I’M BEING FRAMED. | ハメられたか |
| WHO WOULD WANT TO FRAME YOU? WE DON’T WANT TO, | 誰がハメたと言うんだ |
| IF THAT’S WHAT YOU’RE THINKING. (whispers) HE AND ALISON WERE LOVERS. | 義姉(あね)と不倫とはね 心当たりは？ |
| WHO WOULD WANT TO FRAME YOU, TAG? | 心当たりは？ |
| MY BROTHER. | 兄かな |
| WHY WOULD HE WANT TO DO THAT? | 動機が？ |
| ALISON AND I WERE LOVERS. | アリソンと不倫を |
| I THINK YOU ARE PSYCHIC. YOU’RE JUST AFRAID TO ADMIT IT. | 霊能者なのね 認めたくないだけ |
| SO… | それで？ |
| SO… (chuckles) | 何を話せば？ |
| WHY IS IT YOU CAN’T SLEEP? | なぜ眠れない |
| BECAUSE I CAN’T GET THE GOOD PILLS WITHOUT TALKING TO A DOCTOR. HMM. | 市販では効く薬がない |
| AND YOU DON’T LIKE TALKING TO DOCTORS. | 面談が嫌いか |
| MEH, YOU KNOW, THEY ALWAYS WANNA BE THE SMARTEST PERSON IN THE ROOM, DON’T THEY? | 医者は賢さを 誇示したがります |
| WHEN IN FACT THAT’S ME, OBVIOUSLY. | 僕のほうが上なのに |
| YOU PROTECT YOUR CORE SELF VERY FIERCELY. | 防衛意識が強いようだね |
| (sighs) WHAT DO YOU THINK IS THE REASON FOR THAT? | なぜだと思う |
| YOU KNOW, THIS IS EXACTLY HOW I IMAGINED IT WOULD BE. | 予想どおりの展開だ |
| YOU GONNA ASK ME ABOUT MY MOTHER? | 母の話を？ |
| DO YOU WANT ME TO ASK YOU ABOUT YOUR MOTHER? I JUST WANNA SLEEP. | 尋ねてほしい？ 寝たいだけです |
| SO WHAT IS IT THAT KEEPS YOU AWAKE? | なぜ不眠に？ |
| (man) WHAT’S HIS NAME? RED JOHN? | 通称 レッド･ジョン？ |
| THAT’S RIGHT. RED JOHN. | ええ 犯人は女性を ８人殺しています |
| UH, HE’S–HE’S KILLED AT LEAST EIGHT WOMEN THAT WE KNOW OF. | ええ 犯人は女性を ８人殺しています 最低でもね |
| UH, THE POLICE ASKED ME TO TRY AND GET A PSYCHIC FIX ON HIM, | だから心霊捜査を 依頼されたんです |
| TO SEE IF I COULD GET A SENSE OF WHO THIS MAN IS. | だから心霊捜査を 依頼されたんです 具体的には どんなことをしますか |
| UH, HOW DO YOU DO THAT EXACTLY, GET A PSYCHIC FIX ON SOMEONE? | 具体的には どんなことをしますか |
| WELL, DAVIS, TRUE DEMONIC EVIL BURNS LIKE FIRE. | 邪悪な魂は 炎のように燃えています |
| IT–IT BURNS WITH A TERRIBLE COLD, DARK FLAME. | 邪悪な魂は 炎のように燃えています 僕は その冷たく暗い炎を 見ようと試みるんです |
| I FORCE MYSELF TO LOOK INTO THAT FLAME, | 僕は その冷たく暗い炎を 見ようと試みるんです |
| AND I SEE AN IMAGE OF THE EVILDOER– IN THIS CASE, RED JOHN. | すると邪悪な人間 そのものの姿が見えてくる |
| HE’S AN UGLY, TORMENTED LITTLE MAN. | 彼は醜悪な小心者で― |
| A LONELY SOUL. SAD, VERY SAD. | 孤独にさいなまれる 哀れな人間です |
| “DEAR MR. JANE, I DO NOT LIKE TO BE SLANDERED IN THE MEDIA, “ESPECIALLY BY A DIRTY MONEY-GRUBBING FRAUD. | “公の場で強欲な詐欺師に 中傷されるとは不快だ” |
| “IF YOU ARE A REAL PSYCHIC “INSTEAD OF A DISHONEST LITTLE WORM, | “君が本物の 霊能者なら―” |
| “YOU WOULDN’T NEED TO OPEN THE DOOR TO SEE WHAT I’VE DONE TO YOUR LOVELY WIFE AND CHILD.” | “妻と子供の今の姿は 扉を開けずとも分かるね” |
| (Wagner) MR. JANE? | ジェーンさん |
| MR. JANE? | 聞いてますか |
| WHAT IS IT THAT KEEPS YOU AWAKE? | 不眠の原因は？ |
| YOU KNOW, WHEN I WAS A BOY, WE HAD A FARM. IT’S A LOT OF WORK. | 農場で育ったので 手伝いが大変でした |
| I WAS KIND OF A LAZY KID. | それが苦痛でね |
| I’D ALWAYS BE TRYING TO GET MY LITTLE BROTHER JIMMY TO DO MY CHORES FOR ME. | いつも弟に押しつけていた |
| ONE DAY, I PROMISED HIM A DOLLAR IF HE’D CUT THE FIREWOOD. | ある日 １ドルで まきを切らせたんです |
| HE OPENED UP AN ARTERY IN HIS LEG ON THE SAW, | そして弟は 脚の動脈を切った |
| DIED… | 死にましたよ |
| DOING MY CHORES FOR ME. | 僕のせいだ |
| YOU KNOW… | それは― |
| THAT’S ALMOST EXACTLY THE SAME THING THAT HAPPENED TO JOHNNY CASH. | ジョニー･キャッシュと 同じ体験だね |
| IS IT REALLY? | 本当に？ |
| WOW. | すごい |
| THAT’S SPOOKY. | 実に奇妙だ |
| MR. RANDOLPH, GOOD– CUT THE CRAP. MY BROTHER’S DONE NOTHING. | 何をバカな 弟は無実だ |
| AND YOU SCUMBAGS HAVEN’T GOT THE STONES TO COME AFTER ME, | 僕の次は家族を疑うのか |
| SO YOU COME AFTER MY FAMILY. THAT IS FLAT-OUT PERSECUTION. PRICE, WHAT DID WE AGREE? | 中傷だ 黙って |
| MR. RANDOLPH, REST ASSURED, | 中傷する気はありません |
| THERE’S NO INTENT TO PERSECUTE YOU. | 中傷する気はありません 弟さんの拘束は 物的証拠と― |
| WE SCUMBAGS ARE HOLDING YOUR BROTHER | 弟さんの拘束は 物的証拠と― |
| BECAUSE WE HAVE PHYSICAL EVIDENCE LINKING HIM TO THE CRIME AND POTENTIAL MOTIVE IN THAT HE STATES THAT WHENEVER YOU WEREN’T AROUND, | 被害者の愛人だという 事実に基づいています |
| HE WAS BANGING YOUR WIFE LIKE A BIG BASS DRUM. (laughs) TAG AND ALISON? | タグと妻が？ |
| THAT’S WHAT HE STATES, AND HE FURTHER STATES THAT IT WAS YOU THAT KILLED ALISON, | 本人の証言です 真犯人はあなただとも… |
| AND YOU’RE NOW TRYING TO FRAME HIM IN REVENGE. WHAT’D YOU SAY? WH–BASTARD! | 何だって？ このコソ泥が |
| AAH! SON OF A BITCH! SIR. (Tag) YOU TREATED HER LIKE TRASH! WHAT DID YOU EXPECT?! | 自分は遊んでおいて… |
| I DIDN’T EXPECT MY LITTLE BROTHER TO BE BANGING MY WIFE! | 義姉をたぶらかすとはな |
| (Van Pelt) HEY! YOU LITTLE PUNK BASTARD! | 義姉をたぶらかすとはな くそったれ |
| EVERYTHING YOU’VE TOLD ME IS TOTAL FICTION, ISN’T IT? | あの思い出は作り話だね |
| YES. | ええ |
| WHY? | なぜだ |
| I CAN TELL YOU’RE IN REAL PAIN. WHY NOT TELL THE TRUTH? | なぜ真実を話さない |
| THE TRUTH IS MINE. | 大切なものだから |
| I HEAR YA. THANK YOU. | なるほど |
| OH. YES. | そういえば― |
| REMEMBER, UH, WE WERE TALKING ABOUT TANNEN THE OTHER DAY, | タネンの日記があると 言っていましたね |
| AND I ASKED YOU IF HE KEPT A DIARY, AND YOU SAID HE DID? | タネンの日記があると 言っていましたね でも遺品に… |
| WELL, THERE’S NO DIARY AMONG HIS EFFECTS. NO. | 言ってない |
| I’M SORRY, NO? NO. YOU HAVE IT WRONG. | 今 何と？ 日記があるなんて 言ってない |
| I-I DIDN’T THINK HE KEPT A DIARY. | 日記があるなんて 言ってない |
| STRANGE. THEN IT MUST HAVE BEEN SOMEONE ELSE WHO TOLD ME. | 妙だな 誰に聞いたのか… |
| EITHER THAT OR I’M GOING MAD. (chuckles) | 僕が変なのかも |
| BUT I DEFINITELY, 100% REMEMBER HEARING THAT TANNEN KEPT A DIARY. | でも確かに 日記があると聞きました |
| WELL, THAT IS STRANGE, BUT WHY DOES IT MATTER IF HE KEPT A DIARY? | そんなに日記が重要かね |
| YOU’RE RIGHT. IT DOESN’T MATTER. ONLY I WAS THINKING, | なぜ手品師に美しい助手が 必要か分かりますか |
| WHY DO MAGICIANS HAVE BEAUTIFUL GIRL ASSISTANTS? WHY? | なぜ手品師に美しい助手が 必要か分かりますか さあ |
| BECAUSE THEY’RE RELIABLE DISTRACTERS OF ATTENTION. | 客の注意をそらすためです |
| PEOPLE WILL LOOK AT A BEAUTIFUL GIRL FOR A LONG TIME | 観客が助手に 目を奪われるから― |
| BEFORE THEY LOOK WHERE THEY SHOULD BE LOOKING | 観客が助手に 目を奪われるから― トリックは見破られない |
| IF THEY WANNA SEE HOW THE TRICK REALLY WORKS. | トリックは見破られない |
| (both chuckle) ANYHOW, I’LL SEND OVER A COUPLE OF FORENSICS GUYS TOMORROW TO SEARCH HIS OFFICE AND LOCATE THAT DIARY. | とにかく明日 鑑識に 彼の部屋を調べさせます |
| MM, DIDN’T THEY ALREADY SEARCH HIS OFFICE? | もう調べただろう？ |
| OH, THEY NEVER DO IT THOROUGHLY THE FIRST TIME. | ざっと見ただけです |
| (door beeping) ONCE MORE FOR LUCK, EH? | よく捜せば あるかもしれない |
| (door unlocks) IT’S GOTTA BE THERE SOMEWHERE. THANKS FOR EVERYTHING, DOC. | よく捜せば あるかもしれない とにかく ありがとう |
| LOST SOMETHING? | 捜し物でも？ |
| HOW DID YOU GET IN? DOOR WAS OPEN. | なぜ ここに？ 扉が開いてた |
| I THINK I LEFT MY PHONE IN YOUR OFFICE. | 電話を忘れたらしくて |
| THE DOOR WASN’T OPEN. MUST HAVE BEEN. HERE I AM. | 鍵はかけた そんなはずはない |
| WHAT ARE YOU DOING? | ここで何を？ |
| I CONFESS, THE TEMPTATION TO PLAY DETECTIVE WAS A LITTLE TOO STRONG. I… | 刑事のまね事に 熱中してしまってね |
| I WAS LOOKING FOR THAT DIARY. | 日記を捜していた |
| I GOT A LITTLE CARRIED AWAY. | やりすぎたよ |
| NO KIDDING. | そのようだ |
| NO DIARY? | 日記は？ |
| NO DIARY. | なかった |
| MAYBE I SHOULD HAVE A GANDER. I’M GOOD AT FINDING THINGS. | 手伝いますよ 捜し物は得意だ |
| BE MY GUEST. | ご自由に |
| EUREKA. | あったぞ |
| DR. WAGNER, THANKS FOR YOUR HELP. | ご協力をありがとう |
| MR. JANE. | ジェーンさん |
| UH, YOUR PHONE. | 電話は？ |
| RIGHT. (chuckles) | そうだった |
| UH, YEAH. GOT IT. | やはり ここだ |
| SILLY OF ME. WELL, GOOD-BYE AGAIN. | 助かった では また |
| WAIT. (cocks gun) | 待て |
| GIVE ME THE DIARY. | 日記をよこせ |
| IT’S VERY AMUSING. I TRY. | 実に面白い よかった |
| (sighs) I KNEW. I KNEW IT MIGHT BE A TRICK, BUT I… | ワナだとは 分かっていたが― |
| (sighs) I HAD TO BE SURE. | 不安でね |
| YES. THAT’S HOW THE TRICK WORKS. | それでこそワナですよ |
| WHAT LED YOU TO ME? | なぜ気づいた |
| NOT THAT I’M SAYING I DID IT. I’M JUST ASKING. | 私は何かヘマをしたかね |
| WHEN WE FIRST MET, YOU SAID YOU DIDN’T KNOW WHO RED JOHN WAS, | レッド･ジョンを 知らないふりをしたが― |
| BUT YOU HAVE BOOKS ON CRIMINAL PSYCHIATRY–THERE– | レッド･ジョンを 知らないふりをしたが― ヤツについて触れた 書籍を持っていた |
| THAT HAVE CHAPTERS ON HIM. | ヤツについて触れた 書籍を持っていた |
| YOU’RE THE RANDOLPH FAMILY DOCTOR, | タグの毛髪も 入手しやすい立場にある |
| SO YOU COULD EASILY GET A STRAND OF TAG’S HAIR, | タグの毛髪も 入手しやすい立場にある それに医者なら― |
| AND, BEING A DOCTOR, | それに医者なら― |
| YOU COULD HACK UP ANOTHER HUMAN WITHOUT DIFFICULTY. | 人を切るのもお手の物だ |
| IT’S OBVIOUS IT WAS YOU. | あなたしか いません |
| (scoffs) THAT’S IT? | それだけ？ |
| YOU HAVE NOTHING. THAT’S JUST GUESSWORK. | 推測だけで証拠はないのか |
| OH, I KNOW. | そうです |
| I JUST WANTED TO BE SURE I HAD THE RIGHT ANSWER. | だから確かめたかった |
| I WAS SURPRISED. I GOTTA BE HONEST. | 正直 驚きましたよ |
| YOU DON’T SEEM TO BE A WICKED MAN. | あなたは邪悪に見えない |
| BUT YOU ARE. | でも違ってた |
| YOU’RE ANGRY ABOUT THE LETTER. | メモのことだね |
| YEAH, IT WAS A BIT MEAN-SPIRITED. | 確かに卑劣だった |
| FOR THE RECORD, I’M SORRY ABOUT YOUR FAMILY. | 家族のことは気の毒だよ |
| I CAN ONLY IMAGINE YOUR PAIN. | 心の痛みは想像できる |
| I’M NOT… A WICKED MAN. | 心の痛みは想像できる 良識はわきまえているからね |
| MY CONSCIENCE IS CLEAR. | 良識はわきまえているからね |
| REALLY? | 本当に？ |
| RIGHT NOW IN AFRICA, | アフリカでは 毎日 3000人の子供たちが― |
| THERE’S 3,000 BEAUTIFUL CHILDREN ALIVE TODAY WHO SHOULD BE DEAD, | アフリカでは 毎日 3000人の子供たちが― 私のおかげで死を免れている |
| BUT THEY AREN’T BECAUSE OF ME. | 私のおかげで死を免れている |
| TANNEN WAS GONNA RUIN ME AND DESTROY ALL THAT WORK… | タネンは私を破滅させ それを無にしようとした |
| OVER NOTHING. MONEY. | カネしか見えてないんだ |
| “THEFT,” HE CALLED IT. | 横領だと言われたよ |
| “EMBEZZLEMENT.” SELF-RIGHTEOUS IDIOT. | 独り善がりの偽善者だともね |
| IT’S SIMPLE MATH. | 考えてみろ |
| IF I GO TO JAIL, THOUSANDS OF KIDS WILL DIE. | 私が刑務所に入れば 数千人の子供たちが死ぬ |
| SO I MADE A RATIONAL, MORAL DECISION | 答えは簡単だ |
| TO KILL TANNEN… (electricity crackles) FOR THE GREATER GOOD. | 正義のために タネンを殺したのさ |
| AND ALISON? WHAT DID SHE DO WRONG? | だがアリソンは関係ない |
| AS YOU SAID, SHE WAS THE MAGICIAN’S ASSISTANT, JUST A DISTRACTION. OH. | 手品師の美しい助手と 同じ役割だ |
| IF ONLY TANNEN DIED, THE POLICE WOULD’VE BEEN ALL OVER THIS PLACE, | タネンだけでは 診療所が注目される |
| WOULDN’T THEY? | 大勢の命がかかっているんだ |
| TRULY, IS KILLING TWO ANY WORSE THAN KILLING ONE, | 大勢の命がかかっているんだ 犠牲者が 増えても しかたない |
| WHEN SO MANY LIVES ARE AT STAKE? I DON’T THINK SO. | 犠牲者が 増えても しかたない |
| YOU POOR, SAD MAN. | 哀れな人だ |
| YOU’RE UNDER ARREST. LET’S GO. | 連行します この銃が見えないか |
| I’M POINTING A GUN AT YOU. | この銃が見えないか 弾を入れたままだと 思いますか |
| YOU REALLY THINK I WOULD SET YOU UP SO NICELY | 弾を入れたままだと 思いますか |
| AND LET YOU PULL A LOADED GUN ON ME? | 抜いてありますよ |
| WHAT? | 遅いぞ |
| DRAW YOUR WEAPON! HUH? | 銃を出せ |
| DROP THE GUN! | 止まれ |
| HANDS ON YOUR HEAD. | 手を頭の上に |
| GET DOWN ON YOUR KNEES. DOWN. | ひざまずけ 早く |
| CLOSED CASE DOUGHNUTS ARE HERE. | 差し入れだ |
| I JUST WENT TO GET SLEEPING PILLS, I SWEAR TO GOD. | 睡眠薬をもらいに行ったんだ |
| I-I DIDN’T EVEN WANNA GO. YOU KNOW I DIDN’T WANT TO GO. | 睡眠薬をもらいに行ったんだ しぶしぶね |
| YEAH, YOU DIDN’T SET WAGNER UP… (sighs) | 知らなかったんだよな |
| DIDN’T FIGURE IT WAS HIM DAYS AGO. | ヤツが犯人だとは |
| YOU DIDN’T LET US TEAR APART THE VICTIM’S FAMILY | 兄弟を引き裂いたのも 演出じゃないよな |
| SIMPLY TO SATISFY YOUR CHILDISH NEED FOR DRAMA. MEH, THAT FAMILY WAS SCREWED ANYWAY. | 兄弟を引き裂いたのも 演出じゃないよな あの２人なら いずれ仲たがいした |
| DON’T BLAME YOURSELVES, GUYS. | あの２人なら いずれ仲たがいした |
| DON’T EVEN START. I’M STILL ANGRY. | 黙っていて ムカついてるの |
| I’M SORRY. NO, YOU’RE NOT. | 反省してる ウソよ |
| A FROG? | カエル？ |
| WELL, THIS MAKES EVERYTHING BETTER, DOESN’T IT? | これで ごまかせると？ |
